by Slava » Mon Dec 05, 2011 9:26 pm
While I agree with pl on some points, I differ on others. This is after conferring with a person I know who knows a lot about the film industry and history. He's even published a book on the films of Robert Wise. (Full disclosure: source is my brother.)
The word auteur could conceivably be used in other cases, but they must involve the imprinting of one person's vision onto and over others'. So, in general, the idea of a project director being the auteur of the end result works, if the end result of the uniting of all the disparate parts can truly be tied to him or her. A conductor is expected to make a mark, so they aren't eligible here. I gather the big idea is that the "thing" must have been a collaborative undertaking, which is why conductors, composers, choreographers, and the like aren't included. The author of the screenplay is almost never the "auteur" of the film or play. The producer of a movie plays a critical role, but almost no one ever remembers who they were.
So, my general take on this concept is that is possible, as language changes all the time anyway. However, at this point it might be pushing it to reassign "auteur" to other realms outside of the film industry. If the director of a large community project has left a distinct mark for the first time, perhaps putting "auteur" in quotation marks would be better. If there is a pattern, the marks go.
So, the architects are simply that. So are the funders and the city council, etc. They don't make the whole thing work as one. A director, of whatever may have such a structure, can develop into an auteur.
Hopefully this isn't all blather.
Life is like playing chess with chessmen who each have thoughts and feelings and motives of their own.